Looking at Pictures…

Tuesday, September 15th, 2009 - Nicholas Calcott

Junior Bazaar
Junior Bazaar, January, 1947, with art direction from Alexei Brodovitch

Fred Ritchin writes frequently on how photography, and specifically concerned photojournalism, is and has changed on the web and in the era of digital.  A recent post caught my eye:

When one looks at great magazine design there is almost nothing like it on the Web. The era of mass picture magazines started with magazines like Vu in France where the covers were as graphic and stunning as posters. Inside pages for Vu and other early magazines like Regards and Picture Post were used to experiment with all kinds of juxtapositions of images, text and other graphic elements. But what we end up with in terms of design at the beginning of the Web era is much like what we have in desktop publishing — clean sites that look professional but are almost never transcendent.

Clearly, a lot of this has to do with the technology – In print, it’s one thing to, for example, overlay text and image, and in code it’s an entirely different and much more complicated thing.  Which is not to say the technology isn’t there, because it is, in Flash, which is an entirely different ballgame in terms of ease of use and loading times on a site.  As it is, Flash sites tend to be overdesigned, not underdesigned, frequently suffering from the seductiveness of whizzing, moving images and text, not an unwillingness to experiment with the medium.

Anyways, even within the limitations of technology, there are few people willing to push the limitations of text and image on the web.  I can think of one, off the top of my head – i heart photograph, with it’s seemingly endless list of photos of the day and willingness to ignore the conventions of blog interface in order to give the reader an endless way to explore it’s particular corner of the photography world.

Words Without Pictures site is one (recently back online with the publication of their book) even though it’s dialogue between text and photos is defined by a self-conscious absence of the latter. A commenter on Ritchin’s original post points to three other super-flashy sites: http://www.sobluesoblue.nl; http://www.go-no-go.nl; and the really, really excellent accompaniment to the book of the same name, http://www.whymisterwhy.org.

Who knows of any others that bear a special mention?

P.S. I wasn’t able to track down an decent images of Vu, but you can find a couple here and here and some more with a google search.

Iconic Photojournalism

Friday, June 19th, 2009 - Nicholas Calcott

The New York Times
The New York Times (uncredited photograph – a practice they go with when they believe publishing the name of the photographer puts him/her at especial risk)

Sorry, major major deadline Monday, keeping my posting light.  But check out Fred Ritchin‘s blog After Photography for more on the following. He brings to bear an unusually perceptive eye on what has become the rather tired discussion of citizen journalism:

Instead of seeing a few strong images, we will probably need to get used to seeing many dozens or even hundreds of photographs taken, perhaps of the same scene, without any editorial filter. It will demand more of the reader who will have to try and figure out what this mass of imagery is saying. This will also make it harder to wrongly accuse any images of being fakes because so many other photographs and videos will corroborate, to a significant extent, what any particular image shows.

Instead of a single iconic photograph we will often be looking at imagery made by people who, as amateurs, are not schooled in the history of photography–they will be making imagery for information, not to replicate or create new icons. As such, their imagery will probably often be both more original and more awkward, but it may also make it more difficult to find the telling metaphors. In this sense, the imagery will be more modest and probably more credible.

Too many good thoughts to adequately block quote it – you should really read through the original, here.

And I know I went with the professional photography image for this post, but you should really check out the flickr streams coming out of Iran.  An especially good one is that of Mousavi1388.

Related: This youtube video which sends shivers up my spine in admiration.  They’re chanting “Allahu akbar” (God is great), the same thing that was chanted from rooftops during the ’79 revolution.